Canon EOS 5D mark II + Canon 24mm f/1.4 II L Сравниваем видео, снятое с помощью magic lantern в 14 bit raw, и обычное видео с камеры canon eps 5d
14-bit 4k Magic lantern video settings. i hope you enjoy and please subscribe our channel for more interesting videos
Canon 6D (Mark I)Canon EF 50mn 1.8 All of shot.SD card Sandisk extreme 32gbMLV App to convert.MLV to Prores 442 (Alexa Log C)Use davinci resolve to Colour gr
The DNG raw files have a lot of false detail evident on the 5D Mark II, whilst they are silky smooth and pin sharp on the 5D Mark III. Here’s an example of the difference (at 1:1): As you can see, there’s a lot of red, blue and green errors on the 5D2 DNG raw with fine detail, it has a very scratchy look and now smooth at all.
The old 5D Mark II has had an outing on the long-delayed new Mad Max movie as a “semi-disposable stunt camera”. The DSLR was chosen as a proven work-horse crash-cam despite being released way back in 2008. Principal photography for the film completed in December 2012 but ended way over budget and recently underwent various re-shoots
I’m currently using the 10bit Experimental Build on the Canon 5D Mark ii. My A Cam is a Ursa Mini 4.6K. Been working on a mini-doc using both and have learned a lot of how they compare. The quality and exposure compensation on the MLRaw for 5d is insane. It’s a given but exposing correctly (to the left, with skin tones above 20% in a Log
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canon 5d mark ii magic lantern 4k
